By analyzing CIA documents from earlier days, we can understand the programs of the Agency and its government cousins.
Given the fact that the CIA’s umbrella research program, MKULTRA,
went completely dark in 1962, and given the technological advances that
have been made in the intervening years, we can draw inferences about
present-day covert ops.
Document: May 20, 1975; sent by CIA Inspector General, Donald F.
Chamberlain, to the Director of Central Intelligence, William Colby.
Subject: CIA activities at Fort Detrick, Maryland [in the 1952 period].
Fort Detrick was the center of US government chem/bio warfare research.
Here is the opening quote from the document:
“In early 1952, CIA effected an agreement with the Army Chemical Corp
for the performance of certain research and development work by the
Army Chemical Corp at the laboratory facilities of Special Operations
Division, Army Biological Laboratories, Frederick, Maryland.”
And here is a key quote about a research project:
“Adaptation and testing of a non-discernible microbioinoculator
(device for clandestine inoculation with BW/CW
[biowarfare/chemicalwarfare] agents) to determine compatibility with
various materials to assure that the microbioinoculator cannot be
identified structurally or easily detected upon a detailed autopsy…”
Translation: The CIA would test a tiny device for injecting chemical
and biological agents into people, killing them—and the fact of an
injection would be difficult to prove during subsequent autopsy of the
victims.
Death would appear to be from other causes or vectors.
Aside from the obvious use of this method for assassinations, there is the further possibility of “epidemic fabrication.”
The application would be fairly simple. Covertly inject a few people
with a germ—and later identify those people as “patient zeroes” or
“carriers.”
From there, through the use of propaganda, initiate the idea that the disease is rapidly spreading.
By falsifying diagnostic tests on others—a simple matter since
routine tests register many false positives—and claiming a list of
common symptoms are indicators of the epidemic-disease (cough, fever,
muscle ache, weakness, fatigue), the appearance of a pandemic can be
created. (re: “many false positives”,… see, for example, The Massive Fraud Behind HIV Tests)
From that follow the usual steps: the government is rushing a vaccine
into production; everyone should be vaccinated; people should avoid
large gatherings; suspected carriers can be quarantined.
Staged reality.
The mass-vaccination campaign “against the rising epidemic” inflicts harm. Chemicals (e.g., aluminum, formaldehyde, mercury) and germs ordinarily found in vaccines are toxic and destructive.
So without even covertly placing “unusual” materials in vaccines, people are going to suffer consequences.
You might ask, what about using the CIA method to cause a real
epidemic? It’s possible, but the amount of injected (or aerosolized)
virus would have to be quite large, for each person, in order to create
illness. (For “virus concentration”, see the discussion on “titer” in this article). (For another way they could stage a “real epidemic”, see this article).
Secret ops like this one are funded, go underground, morph, are
sometimes shifted to other departments, and develop, over the years.
The public does not hear of them, and does not suspect that its
government is devising ways to inflict damage abroad and at home.
Jon Rappoport
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th
District of California. He maintains a consulting practice for private
clients, the purpose of which is the expansion of personal creative
power. Nominated for a Pulitzer Prize, he has worked as an investigative
reporter for 30 years, writing articles on politics, medicine, and
health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other
newspapers and magazines in the US and Europe. Jon has delivered
lectures and seminars on global politics, health, logic, and creative
power to audiences around the world
No comments:
Post a Comment